This course begins with an exploration of the fundamental concepts of sound and hearing. Students are introduced to the primary elements of sound waves, such as frequency, amplitude, and waveforms, and how these elements can be manipulated to produce common sound effects.The principles of timbre, harmonic content, and wave shape are discussed, providing students with a solid understanding of how sound characteristics can be shaped and modified. Equalisers and filters are introduced as key tools for sound manipulation, with practical examples showing how these tools are applied in audio production.Sound capture techniques, starting with the theory behind common transducers, such as dynamic and condenser microphones, are covered. The difference between these microphone types is discussed, along with phantom power, which is essential for condenser microphones.Spoken voice and vocal recording techniques are introduced.Several common microphone polar patterns are explored, including cardioid, hyper-cardioid, super-cardioid (shotgun), and omnidirectional, with practical examples of when to use each type in different recording scenarios. The course introduces the use of field recorders and teaches basic techniques like boom swinging and cable bashing, which are essential for on-location recording.The operation of analogue audio mixers is also a key focus. Students will begin by learning about the basic functions of a simple mixer channel strip. The practical application of this knowledge includes connecting mixers to audio interfaces for recording two channels of audio, giving students hands-on experience with basic recording setups.Basic routing principles of this simple generic analogue audio mixer are introduced.Practical sessions form a critical part of this course, allowing students to apply theoretical knowledge in real-world scenarios. These sessions include supervised demonstrations of sound equipment setups for various productions, starting with simple stereo playback setups using a playback device or keyboard and just two microphones.Students will also participate in a group Foley recording project, where they will capture and manipulate sound effects for use in radio dramas, video, or film scenes.Throughout the course, students will engage in hands-on setups in both supervised and unsupervised environments. They will experiment with microphone placement, mixer connections, and basic sound recording techniques. These exercises are designed to build confidence and competence in sound equipment operation, preparing students for further study and real-world audio production work.